A gentle wind blows through Paul Jolly’s poems, uncovering the gaps in our knowledge, our presumptions and assumptions, the spaces in which humor, creativity, and magic are born. The stories seem familiar, but the wind-blown words, unjumbled by Jolly, no longer say exactly what they’re supposed to. Alice escapes from a pack of Disney scouts. Over-inflated cows float over a squadron of slugs. Ice cream trucks play Christmas songs.
It is a collection that rebels against reality. Each poem performs a sleight-of-hand replacement of the objective and concrete with imagination and dream. What if? How come? Why not?
Read these poems. Read them carefully. Take your time. Inhale, exhale, and think. Why Ice Cream Trucks Play Christmas Songs is a work of art, and it is a gift.
“Delightful, essential, full of renewed wisdom and old magic, of the natural elements that sustain body and spirit. Paul Jolly’s poems are to be savored time and again, like the ice cream in trucks that play Christmas songs. Bravo! Encore!”
—Lucha Corpi, author of Eulogy for a Brown Angel and Confessions of a Book Burner
“Paul Jolly’s consonance crackles but is seldom gnarled. His poems are funny but never cruel. Like Kay Ryan, he sees the universe in little things. Jolly’s tenderness is understated, his language unrestrained.”
—Flossie Lewis, Brief but Spectacular (PBS)
“To read these poems is to enter a richly imagined world; brightened by dry touches of humor, parody, and wit. The poems are very much of the present day, both in language and in outlook. Though deeply felt, they contain nothing sentimental, let alone anything maudlin.”
—Marie Borroff, Sterling Professor of English, Emeritus, Yale University
“Drawing upon a metaphoric area that hops nimbly from nursery rhymes to the spiritual lives of goats, from family history to the history of the zero, these poems surprise and delight. Jolly’s light touch and humorous outtakes remind us that language in poetry is an adult thinker’s playground.”
—Johnna Schmidt, Director of Jimènez-Porter Writers’ House, University of Maryland
“I spent a first afternoon of immersion in this wonderful collection of poems, smiling with occasional outbursts of delighted laughter at the poet’s flights of fancy: Humpty Dumpty paired with Icarus, a Grandmother whose saliva does futile battle with her grandson’s cowlick, farmers who carbonate cows to get ‘bubble milk,’ a factotum who does the dirty work for God during the six days of creation. Throughout, zany humor and vigorous imagination construct send-ups that are not without compassion and insight. There is import here I cannot explain, but only nod, knowingly.”
—Catharine Lucas, poet and professor of English, Emerita, San Francisco State University
Available from Fernwood Press: http://www.fernwoodpress.com/2018/11/26/why-ice-cream-trucks-play-christmas-songs/
Available from Barclay Press: http://www.barclaypressbookstore.com/why-ice-cream-trucks-play-christmas-songs.html
Trauma creates substantial pain and suffering and can inevitably create cycles of dysfunction that may span generations. We can and should break these cycles and build bridges of trust and empowerment that renew hope and help families heal, not just for this generation but for the sake of all those to follow.
Emmett Wheatfall’s As Clean as a Bone is a collection for both the heart and the mind, a collection seasoned with the vital and invigorating salt of poetry and of wisdom. This remarkable book questions history, memory, culture. Its poems don’t just talk: they wrestle with experience, they debate, they think and play, they sing out with love and pain. “Can we sing a new song?” Wheatfall asks. With their deft musical cadences and resonant depths, the poems in this new book answer back with a resounding YES.
While teaching English in China, Jim Teeters received a copy of the Tao Te Ching from a student. Jim writes that he was drawn to Lao Tzu’s ancient meditations on what it means to be a human instrument guided by the power of the right way. Drawing on his Quaker experience of submission to the Inner Light, “the voice of Christ who speaks to my condition,” Jim waited with each of Lao Tzu’s eighty-one wisdom poems, reading them over and over, listening both for meaning and for how he might respond.
Suzie and Orbs are in their thirties and have been together for a couple of years. Orbs reluctantly makes a living in the City and Suzie is a respected financial journalist, but each has another life hidden from the outside world.
In death will come, poet Bill Denham attempts what is nearly impossible, coming to terms with the approaching end of life without nostalgia or sentimentality. And in this collection, he succeeds, offering his astonishing gift to the world, a testament to a life lived, suffered, and loved in open-hearted service and wonder. The poems are interrelated confessions that speak directly to Denham’s mother, to his father, to his estranged daughters. They reveal with painful, lyric candor, what it is to struggle with self-knowing in the face of death. A must read for anyone who will someday pass from this world.
Raised on a prune farm in rural Oregon, in a family with deep religious roots, Dr. Norval Hadley thought he might be a pastor someday. But after the farm boy and his friends won a barbershop harmony contest, everything changed. That foursome is remembered as the world-famous Four Flats, and in 1956 the quartet signed on with World Vision. They appeared with Billy Graham, performed on the ABC radio network, and led two evangelistic tours of Asia. Dr. Hadley made his way around the world, working with World Vision, Northwest Yearly Meeting of Friends, Evangelical Friends Mission, New Call to Peacemaking, and the National Prayer Committee. In this collection of recollections, Dr. Hadley tells the story of how his decision to follow God no matter what took him into seventy-five countries and on a lifetime of adventure.
By the beginning of the nineteenth century, the effort to keep outside influences from impacting Quaker spirituality was clearly failing. Many Friends were impressed by the Enlightenment emphasis on reason in religion and commitment to religious and political freedom. Many others were caught up in Evangelical enthusiasm and commitment to social justice.
Our love songs have no shadows. We dare not acknowledge the deep love that can coexist with loss. But in this timely and timeless collection, Peg Edera offers what we didn’t know we needed: a proposal in the dark, a squad car filled with lilacs, tears saved for the right time, toast and honey.